Get ready to dive into a story that flips the rom-com script on its head! What happens when two strangers collide in Berlin, not for love, but for a night of chaos and self-discovery? Tatiana Maslany (the chameleon behind Orphan Black) and Marwan Kenzari (The Old Guard) lead the charge in Any Other Night, the English-language debut from Dutch filmmaker Michiel ten Horn. But here’s where it gets intriguing: this isn’t your typical meet-cute. It’s an anti-romcom—a genre-bending ride that’s equal parts clever and unpredictable.
International sales powerhouse Lucky Number has snagged the rights to this project, set to dazzle buyers at the American Film Market with an exclusive promo reel. Fresh out of post-production, the film was shot earlier this year in Berlin, adding a gritty, authentic backdrop to its unconventional narrative. And this is the part most people miss: Any Other Night isn’t just a follow-up to ten Horn’s dark comedy Fabula (which kicked off the Rotterdam festival and premiered in Shanghai); it’s a bold exploration of what happens when life doesn’t go according to plan.
Written by Patrick Whistler (In Cold Light), the film follows Maggie (Maslany), reeling from a breakup, and Sam (Kenzari), a washed-up musician turned cab driver. Their paths cross during a five-minute ride that spirals into a wild odyssey through Berlin’s nightlife—and their own personal wreckage. Ten Horn describes the film as a deep dive into the messy realities of life: “It’s about chasing dreams and realizing they don’t always pan out. Life isn’t a romcom—it’s far more complicated. But sometimes, one unexpected encounter can change everything.”
Controversial take alert: Is this film a refreshing take on modern relationships, or does it risk romanticizing chaos? Let’s debate that in the comments!
Produced by a powerhouse team—Lithium Studios (In Cold Light), One Two Films (Holy Spider), Lemming Film (The Secret Agent), and Film Forge (Infinity Pool)—the film is set for release in Canada, Germany, Austria, and Benelux. Lucky Number calls it a “wild, emotionally charged ride” with characters so imperfect they feel real. But here’s the question: Can a film this unapologetically messy truly resonate with audiences? Or is it too far from the feel-good formula we’re used to?
Ten Horn’s collaboration with Maslany and Kenzari was seamless, thanks to their shared vision. “Being from the same generation, we instantly connected on what this film should be,” he said. But what do you think? Is Any Other Night the anti-romcom we’ve been waiting for, or is it a swing and a miss? Sound off below—this is one conversation you won’t want to miss!
